Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Thursday, 17 July 2014

Gangster Daw?!

7/15/2014 11:14:35 PM

Anong meron sa poster na ito?

www.pinoyscoops.com
Gangster daw.

Whoa. Talaga ha? Gangster ampucha. Bakit ganun namana ng itsura, parang albularyo daw?

Ang daming argumento ukol rito, maliban pa siyempre sa mga papuri mula sa mga tagahanga, sa pelikulang She’s Dating A Gangster ng Star Cinema. Oo, marmaing umaangal, mula na ‘yan sa mga kaliwa’t kanang lupon ng tao mula sa mga lehitimong gangster mula sa mga wannaebeng mga jejemon at ultimong mga KathNiel fans mismo at dun na rin sa mga tagahanga ng nagsulat ng kwentong yan (na by the way, ay isang produkto ng WattPad bago napunta sa Summit Media at Star Cinema).

Oo nga naman. Pucha, bakit ganyan kasi ang itsura?

May isang argumento na ganyan raw ang pagkakadescribe ng nobelista sa karakter na ginampanan ni Daniel Padilla.

Ganun? Oo, ganun nga.

So, kung kidding aside, mukha siyang galing sa panahon ng retro. Ganun? Pero, ganun nga ba ang gangster sa panahon na yun? Parang ang labo lang ah. Mahaba ang buhok, tapos yung headband niya ay parang isang gerilya o isang lehitimong albularyo nga. Parang hindi raw bumagay sa kanya.

Kaso kung ganun man ang pinaglalaban mo, may magagawa ka pa ba?

Kung dikta man ng awtor yan, magagawa ka pa rin ba? Kung sa totoo lang ay hindi naman talaga gangster ang papel niya dyan (at tinawag lang siya na “gangster” kung tutuusin), may magagawa ka pa rin ba?
Ala naman sabihin mong bobo o mangmang ang manunulat o ni ang researcher o wardrobe at production designer ng pelikulang yan, ano?

Pero kung taliwas man ito sa mga prinensentang anggulo, aba’y parang hindi rin naman tama yan. Kasi kung gangster lang naman ang usapan, tumingin ka na lang sa paligid ng Maynila o Nangka, o sa Commonwealth, o sa Sanggadaan, o kung saan pa yan. Makikita mo na karamihan sa mga gangster ay kahalintulad ang itsura sa Grand Theft Auto San Andreas o yung mga ghetto sa West Coast.

Hindi ako fan, at ni hindi rin hater. Pero kung gusto talaga pagmukhain ng pelikula na gangster si DP, eh di gawin nila na kahit papaano ay lehitimong G naman (kahit na OG, mga dre). Dahil sa totoo lang, mukha na yang mediocre eh. Joke time ba. Baka nga kung may nagsusuot ng ganung fashion style sa totoong buhay ay hindi niya ipagyayabang na gangster siya eh.

Kaya sa totoo lang tuloy, nakakkarimarim na lang pansinin na ginagawang katawa-tawa ang mainstream eh. Oo, sabihin na natin na “teka, mali ka, Slickmaster.Namimisinterpret mo lang yata ang pinoportray niya.” Pero ito rin ang problema, at hindi ito para sa sanity ko, kundi para na rin sa mga manunood n’yo (tutal hindi ko naman kaedaran ang SDTG): alam n’yo naman na ang patron niyo ay hindi nakakaunawa ng malalalim na bagay, at siguro yan ang gusto niyong ipalabas (at siguro, este, panigurado, ay marketing strategy na rin yan para manood ang karamihan sa atin ng peklikulang yan). Pero bottom line is, ang labo pa rin eh. Yan, gangster? Come on, give me a break!

Author: slickmaster | © 2014 september twenty-eight productions

Thursday, 13 March 2014

Flick Review: Bob Ong's ABNKKBSNPLAko?! the Movie

03/‎14/‎2014 12:32:47 AM


I can only express my insights on the movie adaptation of that Bob Ong book in two words: as both 'entertaining' and 'disappointment.'

Yes, it is entertaining because of some antics and factors which appear to be natural in our daily lives.
And, (oh no) disappointing because on a slighter-than-above-superficial level, the movie focused on the romance more than the school-ish aspect itself

Why did I say so? If you looked on the entire book first, you'll realize my primary reason: it became one of the numerous book-to-movie-adaptation failures in recent history.

Well, obviously that's a marketing tactic if you ask me why should you put the ladies like Andi Eigenmann and Meg Imperial for the cast which already comprised by Jericho Rosales and Vandolph Quizon.

And count the love-team factor involving Roberto and his unnamed 'Special Someone' right there (and seriously, it's quite tricky that Andi's character was still unnamed, at the end of the flick eh?).

I first saw its trailer on one of the VIVA-produced channels. And apparently, their Top 10 trailer seemed enough to persuade me. The problem though, is the several factors on the project itself.

As much as I like the numerous flashback devices used in the film, I thought the execution could have been a better one. But don't you just love the idea of recalling these nostalgic materials either? I loved that part, 'coz it simply reminds me of my old days as a student. Those FLAMES, SOS, spirit of the pen... nah, which mattered actually.

However, I still doubt that a 'love team' factor should really be a compulsory to this one. Bob Ong has been selling most of his books without making any such implications on it. In fact, he only relied on three things: his personal experience, society events (I can't tell the current word since everything bound in the books was already 'past'), and comical antics. In addition, the latter two were even enough to earn him six-digit-numbered published copies.

Because it was during our 'high school stage' where we first experience romance and heartbreak? (Hey, count me out, by the way; since I only experienced things like that when I was about to enter college anyway)

Well, maybe, but come on...

The comedy antics in this flick come naturally though. As if I haven't seen any slapstick materials executed just to crack a joke. But seriously, I'd prefer this rather than the present trend where we need to roll a newspaper like a baseball bat, slam it on your friend's head (of course, the upper one), and laugh like it's your last day.

And comparing this film to the other local movies? I still can tell that Bob Ong's ABNKKBSNPlaKo?!'s still a 'standout' among them all; considering that for like 9 times out of 10, the Philippine commercially-produced movies are nothing but bunch of "airheads, no-brainers, and garbage." Hey, count these romantic movies in the list, too.

The problem though is that, timing' seemed to take its toll on them. I wondered why it appeared like they rush to finish the entire picture. And they scheduled it on a post-Valentine's Day period? I think that’s a bad strategy, considering that most movie patrons are still preferring those love-themed flicks than the other.

Maybe if they let their fans wait for a bit longer, the film will be much appreciated (even for a bit) 'cause there are scenes which aren't been made in its total perfection; especially if we're talking about editing here.

Jericho Rosales is a good actor here. Though I also believe (especially it's supposedly an intellectual wit-driven flick) that the likes of Ramon Bautista can handle the job either... or should I say, even "better." However, Rosales' way of narrating several Bob Ong scriptures in the flick is 'music to my ears.' Yes, as if I'm imagining like a real Bob Ong has spoken (but only, on that part).

Vandolph, on the other hand... well, I've got nothing much to say, aside from the fact that his lines has been speaking the very deepest of them all. Think about it, as if you're listening to your parent who, then, is scolding you. It may be annoying, but it really has sense.

About Andi? Hmm... I am still wondering, is this lady does not even get baptized? I know, I loved movies which made me think even more, but we're all looking for answers somewhere out there anyway.

And... holy smoke, is it me or is just Meg Imperial's kinda hot? Hahaha! Okay, seriously speaking. If you asked me to compare the two ladies, I'll pick the latter. Anyway, I think it's kinda fair when she hoisted the role of Portia, a tomboy-character yet damn foxy lady. Nah, does it count? I'd rather reiterate some ideas before everything goes bias shit here.

Going back to the flick, the upside of Bob Ong's first book-to-movie adaptation is that there are some lessons in the movie which targets everyone. Like 'your family will be there in times when you need somebody to talk to,' or 'you should not be ashamed of who you are,' or a lot more. Something I can't tell you here for more (since I think I've reached the length enough).

The soundtracks can be real shit sometimes; but hey, I'd prefer listening to these tracks than... (Do I have to drop names here anyway?)

Overall, it's almost a good intellectual choice, only if:

First, they focused on the much-needed factors (friendship, studies, family) more than the romantic ones (something you can only recognize at the flick's 'current' era and not thru its flashback devices.'

Second, the marketing should have made its timing better. I do believe this flick would have unleashed its more potential should the showing had took place in either graduation days or summer vacation. I also thought that kids would definitely love this should the said scenario pushes through.
That's another saddening thing to notice; 

Third, the depth factor should not have been overshadowed by 'fun.' Rappler was right when they described the movie thru its analysis title itself - 'Fun Overtakes Depth.' And that's really a problem nowadays where film executives have been failed in balancing entertainment satisfaction thru means of providing worthy ideas with the weight of making money. Of course, if you're a businessman, for nine times out of ten, you will prefer to make money more than the other choice. It was the said tactic which actually resulted into disappointment on the moviegoers' part.

And last but not the least; the message seems like sorely lacked. I mean the author's real "message" conveyed by the book. In lieu with that, the movie also lacked substance as its result. If you read the book, you will understand the reason. Others may berate like "come on, slick. It's always been like that!" But the thing is, "at least, if other book-to-movie sequels lacked parts, the main point was there," something in contrast. Good thing though, the flick has this 'bag of tricks.'

I have also red several movie reviews prior to making my own statement. And things turn out, they were right either. Well, let me reiterate that: 'PARTLY RIGHT.'

For the entire 80 minute-stretch, I think the book has a lot more to tell than the airtime allotted. It's true that the flick should earn that 'everything movie of the year' title (since neither recent-produced mainstream has achieved such).

But again, I can only tell two words: 'wasted potential.' 

Still... I would recommend this.

The verdict: 6.6

Author: slickmaster | (c) 2014 september twenty-eight productions